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ザ・ディープ [DVD]

4.5 5つ星のうち4.5 1,331個の評価

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フォーマット ワイドスクリーン, 色, ドルビー
コントリビュータ ピーター・イェーツ, ニック・ノルティ, ジャクリーン・ビセット
言語 英語
稼働時間 2 時間 6 分

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タイムセール、キャンペーン、クーポン、在庫処分ワゴンセール、バーゲン品、廉価版など、お買い得商品がもりだくさん。 ⇒いますぐチェック

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商品紹介

『ジョーズ』をはるかにしのぐ海洋サスペンス大作。
4分に1度のサスペンス、そして恐怖・・・。


【ストーリー】
バミューダでダイビングを楽しんでいたデビッドとゲイル。
難破船を見つけた2人は、そこから小さなガラスの瓶とスペイン金貨を発見する。
2人は興味本位に宝探しを始めるが、やがてそれは2人を恐怖の体験へと引きずり込む。


【スタッフ&キャスト】
《製作》 ピーター・グーバー
《監督》 ピーター・イェーツ
《出演》 ニック・ノルティ、ジャクリーン・ビセット

【Copy Right】 (C)1977 COLUMBIA PICTURES INDUSTRIES, INC. ALL RIGHTS RESERVED.

※ジャケット写真、商品仕様、映像特典などは予告なく変更となる場合がございますのでご了承ください。

レビュー

製作: ピーター・グーバー 監督: ピーター・イエーツ 原作・脚本・出演: ピーター・ベンチリー 脚本: トレーシー・キーナン・ウィン 撮影: クリストファー・チャリス 音楽: ジョン・バリー 出演: ニック・ノルティ/ジャクリーン・ビセット/ロバート・ショウ/ルイス・ゴセットJr./イーライ・ウォラック/ロバート・テッシエ/アール・メイナード/ボブ・マイナー/ディック・アンソニー・ウィリアムズ/ピーター・ウォラック/コリン・ショウ
--
内容(「CDジャーナル」データベースより)

登録情報

  • アスペクト比 ‏ : ‎ 2.35:1
  • 言語 ‏ : ‎ 英語
  • 梱包サイズ ‏ : ‎ 19 x 13.6 x 1.6 cm; 99.79 g
  • EAN ‏ : ‎ 4547462017697
  • 監督 ‏ : ‎ ピーター・イェーツ
  • メディア形式 ‏ : ‎ ワイドスクリーン, 色, ドルビー
  • 時間 ‏ : ‎ 2 時間 6 分
  • 発売日 ‏ : ‎ 2005/6/22
  • 出演 ‏ : ‎ ニック・ノルティ, ジャクリーン・ビセット
  • 字幕: ‏ : ‎ 英語, 日本語
  • 言語 ‏ : ‎ 英語 (Dolby Digital 2.0 Surround)
  • 販売元 ‏ : ‎ ソニー・ピクチャーズエンタテインメント
  • ASIN ‏ : ‎ B0009J8E14
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 1,331個の評価

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星5つ中4.5つ
5つのうち4.5つ
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上位レビュー、対象国: 日本

2023年5月29日に日本でレビュー済み
Amazonで購入
私が小学5年生の時に父に連れていってもらい、劇場でみたピーターベンチリーの海洋3部作、ジョーズ、アイランドそしてこのザ・ディープ実に46年ぶりに再会した映画です。
ロバートショウはジョーズに続いて出演されていましたね。
ニックノルティ、ジャクリーンビセット往年の大スター。
そして、悪役として出演していたルイスコゼット、のちにアイアンイーグルやジョーズ3といい味を出していた役者さんでした。
3人のお客様がこれが役に立ったと考えています
レポート
2021年6月6日に日本でレビュー済み
Amazonで購入
主演女優の美貌を見ているだけでも良いのだけれど、娯楽映画としての出来が秀逸。やはりピーター・イェーツ監督の職人芸が光ります。何度も見たくなる作品です。
3人のお客様がこれが役に立ったと考えています
レポート
2023年12月25日に日本でレビュー済み
Amazonで購入
内容は良かったです
2015年3月9日に日本でレビュー済み
Amazonで購入
映画「JAWS」をしのぐ海洋サスペンス…等と書かれていましたが、映画のSTORYなど、僕には関係ないです(この作品のファンの方には申し訳ありません)。今回の購入目的は、この映画に『JACQUELINE BISSET』が出ていたから‥それだけの理由です。JACQUELINE BISSETの美しさだけに☆5です。JACQUELINE BISSETの美しさは、正にTHE DEEP!!以上です‥お粗末でした。
10人のお客様がこれが役に立ったと考えています
レポート
2022年2月20日に日本でレビュー済み
映画のタイトルが終わってすぐに、バーミューダの海の中にカメラは入り込み、サンゴ礁のあいだを泳ぎ回り、宝探しをするジャクリーン・ビセットとニック・ノルティを映し出す。水中なので、もちろんセリフはないが、海の中を映し出すシーンに、結構長い時間がとられている。映画の中盤や後半のクライマックスにも長い水中撮影シーンがある。この当時としては、劇映画の中で、これだけ本格的に水中撮影のシーンを映画の中にとりこんだものはなかったように思い、自分の中では強く印象に残っていた。冒頭の水中シーンは、ジャクリーン・ビセットが白いTシャツ1枚で潜る(下は黒ビキニ)ので、シャツが身体にはりついて、おっぱいの形がくっきり見えるのが話題になっていたものでした(確か、白Tシャツの写真を映画の宣伝以外で雑誌掲載されていたのを、ビセットが怒って掲載差し止めを訴えていたように記憶している)。最高にセクシーで美しいシーン。この海中の撮影シーンが美しく、迫力もあり、この映画の一番の見どころとなっている。この海中シーンが楽しめないと、この映画はつまらないでしょうね。「ジョーズ」のピーター・ベンチリーの原作をもとにしたストーリーは、昔ながらの宝探し争奪ものでしかなく、どうも面白みに欠ける。車とバイクのチェイスシーンなども、ピーター・イエーツらしい演出のキレもなく平凡。悪役が、ブードゥー教の儀式でビセットを怖がらせるというのも、なんだか古くさい。総じて地上シーンは、あまり面白くない。冒頭のビセットの白Tシャツは、サービスショットという目的なんだろうなぁと思ってみていたが、中盤あたりからロバート・ショウが、普通のYシャツにズボンといういで立ちで、いきなり潜っているのを見ると、白Tシャツで潜るのも全く不自然じゃないなと思い直した。ビセットの白Tシャツもそうですが、ロバート・ショウが服のまま、潜るというのも自分には結構インパクトありました。ノルティは、ちゃんとウェットスーツ着てます。ビセットも中盤からは、黒に赤のラインが入ったハイレグ型ウェットでよく似合っている。未公開映像には、ビセットの脚線美が確認できるシーンがある!(イーライ・ウォーラックと船上で話するところ)。後半、沈没船の中を泳ぎ回ったりするところは、閉所恐怖症ぎみの自分には、ハラハラドキドキでした。ブルーレイには、未公開シーンと、長めの撮影当時のドキュメント(メイキング)、予告編が付く。ドキュメントでは、ロバート・ショウが案内役をつとめており、出演者や監督、スタッフの生の声が聞ける。何よりも、この海の中の撮影をどうやって撮ったのかがわかり、たいへん興味深く、面白かった。ビセットが、この撮影までダイビングの経験がなかったというのにも驚いた。一部、スタントは使っているとは思うが、実際に潜っているビセット、ショウ、ノルティら出演者の役者根性には敬意を表したい。あと、潜って演出しているピーター・イェーツ監督にも。音楽は、ジョン・バリー。この映画、カサブランカレコードが出資しており、ドナ・サマーが歌うテーマ曲が、あったと思うが、このブルーレイの中では聴くことはできない(本編中のインストのみ)。ニック・ノルティは、当時テレビの「リッチマン、プアマン」での好漢ぶりが良く、期待していた俳優で、日本では、この映画でスクリーンに初お目見えだったと思う(なので若い!!)。本作では、その持ち味というか、魅力がイマイチ発揮できていないように思う。映画自体がドラマ的にイマイチなので仕方ないとは思いますが。悪役でルイス・ゴセット、ちょい悪でイーライ・ウォーラックが共演。
4人のお客様がこれが役に立ったと考えています
レポート
2018年5月15日に日本でレビュー済み
新婚旅行でバミューダ海を訪れた夫妻が、バミューダ海の沈没船のお宝争奪戦に巻き込まれる"だけ"という凡庸な作品。当時、「魔のバミューダ・トライアングル」、という事が日本でさえも話題になっていたので、それに便乗した作品だろう。

しかし、当時、日本でも清楚な美人女優として人気の高かった妻役のジャクリーン・ビセットのファンの方にとっては一見の価値がある。冒頭から、乳首までスケスケのウェット・スーツ姿を披露する等、何箇所かでジャクリーン・ビセットの肢体が拝めるので、その点で貴重ではある。撮影・編集後にジャクリーン・ビセットが「私の体のラインが出過ぎている」とのクレームを出したとの噂が立った程である(ただし、これは眉唾もの。ここまで肢体を披露していて、それはないでしょう)。製作陣の意匠も不明で、冒険・サスペンス映画としてはハッキリとした駄作なので、いっそ、ジャクリーン・ビセットに焦点を当てたエロティック・サスペンスとして仕上げるべきだったと思う。バミューダ海の遠景(これは美しい)あるいは船上のシーンを除く、海中・海底のアクション・シ-ンは撮影スタジオ内に創った巨大水槽の中で撮影した由で、迫力に欠ける事この上ない。

「ジョーズ」のロバート・ショウが「サメ」に襲われるというシーンには笑ったが(このためのロバート・ショウの起用だろう)、これが目立つ様では本作のレベルの低さを如実に示している。上述した通り、ジャクリーン・ビセットのファンの方にとってのみ一見の価値がある作品である。
1人のお客様がこれが役に立ったと考えています
レポート
2009年8月6日に日本でレビュー済み
ジャクリーヌ・ビセットの濡れたTシャツごしの乳首を見る映画だと思えば、満点じゃないですか。ただ、ソニーのコロンビア映画買収を描いた「ヒット&ラン」という本を読むと、「ザ・ディープ」のプロヂューサーと彼女はデキテタみたいだし、主演男優ニック・ノルティとも最初は息が合ってなかったのが、ある夜を境にして息が合うようになったとか書かれている。田山力哉の本では、ヌレィエフとカンヌで恋仲だったり、ポランスキーやトリュフォーともイイ仲だったみたい。恋多き女というか、欧米版石原真理子なのでしょうか。
10人のお客様がこれが役に立ったと考えています
レポート
2023年4月11日に日本でレビュー済み
Amazonで購入
ジャクリーヌ・ビセットが見たくて見ました。美しさを見るだけでもいいです。

他の国からのトップレビュー

すべてのレビューを日本語に翻訳
Amazon Customer
5つ星のうち5.0 Received on time and in good order
2023年11月26日にアメリカ合衆国でレビュー済み
Amazonで購入
The dvd arrived on time and in good order. I enjoyed the characters portrayed.
FF
5つ星のうち5.0 bon film!
2023年5月7日にカナダでレビュー済み
Amazonで購入
Gute Preis Leistung, zufrieden.
5つ星のうち5.0 Top Blue Ray
2024年4月17日にドイツでレビュー済み
Amazonで購入
Großartig, wollte ich schon eine ganze Weile haben!! Gut und zeitnah geliefert. Top
Jade
5つ星のうち5.0 Great movie
2020年10月18日にオーストラリアでレビュー済み
Amazonで購入
Great movie, fast delivery. Highly recommend
Amazon Customer
5つ星のうち5.0 THE DEEP [1977 / 2010] [Blu-ray]
2016年11月9日に英国でレビュー済み
Amazonで購入
THE DEEP [1977 / 2010] [Blu-ray] [US Release] Is Anything Worth The Terror Than THE DEEP! Solid Escapist Entertainment!

This lavish, suspense-filled film was made from Peter Benchley's best-selling novel “Jaws.” Gail Berke [Jacqueline Bisset] and David Sanders [Nick Nolte] are on a romantic holiday in Bermuda when they come upon the sunken wreck of a WWII freighter. Near it, they find an ampoule of morphine, one of tens of thousands still aboard the wrecked ship. Their discovery leads them to a Haitian drug dealer, Henri 'Cloche' Bondurant [Louis Gossett Jr.], and an old treasure hunter, Romer Treece [Robert Shaw]. With Henri 'Cloche' Bondurant in pursuit, Gail Berke, David Sanders and Romer Treece try to recover the sunken treasure.

FILM FACT: Awards and Nominations: 1977 Academy Awards®: Nominated: Best Sound for Walter Goss, Tom Beckert, Robin Gregory, Dick Alexander. 1977 Golden Globe® Awards: Nominated: Best Original Song for Donna Summer and John Barry. Two actors from the Jaws films, which were also based on a novel by Peter Benchley, appear in this film. Robert Shaw played shark hunter 'Quint' in ‘JAWS’ in 1975, while Louis Gossett, Jr. would later go on to play SeaWorld park owner Calvin Bouchard in ‘JAWS 3’ in 1983. American singer Donna Summer teamed up with John Barry for the film's signature song entitled "Down Deep Inside” (Theme From ‘The Deep’) and became a massive hit on the U.S. Dance Chart, as well as a top-five singles hit in the UK, and a top-forty hit in the Netherlands. Calypsonian Vincentian Alston “Beckett” Cyrus contributed the song “Disco Calypso” to the soundtrack and was written by Vincentian Alston “Beckett” Cyrus (uncredited).

Cast: Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw, Earl Maynard, Bob Minor, Louis Gossett Jr., Eli Wallach, Lee McClain, Robert Tessier, Teddy Tucker and Peter Benchley (uncredited)

Director: Peter Yates

Producers: George Justin and Peter Guber

Screenplay: Peter Benchley (screenplay/novel) and Tracy Keenan Wynn (screenplay)

Composer: John Barry

Cinematography: Christopher Challis B.S.C. (Director of Photography)

Video Resolution: 1080p [Metrocolor]

Aspect Ratio: 2.35:1 [Panavision]

Audio: English: 5.1 Dolby TrueHD Master Audio Surround, French: 5.1 Dolby TrueHD Surround, Spanish: 5.1 Dolby Digital Surround and Portuguêse: 5.1 Dolby TrueHD Surround

Subtitles: English, English SDH, French, Spanish and Portuguêse

Running Time: 124 minutes

Region: All Regions

Number of discs: 1

Studio: Columbia Pictures / IMAGE ENTERTAINMENT

Andrew’s Blu-ray Review: ‘THE DEEP’ [1977] was when it was released in the cinema, and keenly anticipated by film studios. Before it had even been completed, the story was up for sale to the highest bidder. Having written the novel, Peter Benchley then had to cut it down to make it filmable, especially into a cinematic screenplay. There was a great expectation it was going to be on par with the film ‘JAWS,’ but a lot of critics panned it so bad, but despite I still feel and think it is still a good tour de force thriller in its own way. ‘THE DEEP’ was sold to remind everyone of its links with “Jaws,” misleading the potential audience. The poster was a clever reversal of the ‘JAWS’ poster, but also far less sensational, especially with a female swimmer now under the surface of the water.

In the film ‘THE DEEP’ a young couple, David Sanders [Nick Nolte] and Gail Berke [Jacqueline Bisset] go treasure-hunting among the sunken shipwrecks off the Caribbean island of Bermuda. The strange objects they find are of interest to a local historian Romer Treece [Robert Shaw] as well as a local gang of criminals. Gail Berke also nearly gets her arm pulled off by something living inside the wreck?

Earlier underwater film thrillers often failed to excite because the action was forced into slow-motion. ‘THE DEEP’ succeeds by building on the ever-present dependency on air, as well as maximising and varying the potential threats, like predators and airless claustrophobia. Director Peter Yates [‘Bullitt’] adds memorable action scenes above the surface as well. But the action never becomes like a James Bond film or O.T.T. explosive action like ‘Into The Blue’ [2009], which begins with a very similar premise. ‘THE DEEP’ is a more realistic film thriller where the story and the action are within the realms of 'this could happen to you' rather than escapist impossibility.

When I went to the cinema to see ‘THE DEEP’ in 1977, while I was hoping for a more like scenario as the film ‘JAWS,’ and while there is in fact some hazardous shark action, I was disappointed that they weren't more central to the story. But I should have ignored the ‘JAWS’ connections and enjoyed it as an unusual, authentic-looking, mystery thriller. ‘THE DEEP’ was definitely the best underwater action film I had seen since the James Bond film ‘Thunderball.’ Watching it again on this Blu-ray disc, I really enjoyed that the action was happening for real. Of course trickery was used, including a few optical composites that tie-in the diver’s location in relation to a huge model of the shipwreck. But so much of the excitement is seeing that the actors and stunt performers were not faking.

Underwater, the cast and the crew had to learn to dive, initially for filming around an actual wreck off Bermuda. Of course stunt-doubles were used for more dangerous action and there's plenty of that, especially when angry sharks get tangled in their air hoses. For the tighter, more complex underwater locations, a huge underwater saltwater set was built in Bermuda, and populated with the local wildlife. A huge expensive solution was worked out that enabled the production to alternate filming between the sea and the set of the wreck, all in the same location. Existing water tanks at the film studios (the only other option) couldn't have been as deep or able to sustain any authentic sea life. This is detailed in the “making of” book, written by producer, Peter Guber.

For the tight confines of the story, ‘THE DEEP’ also necessitated the design and rapid manufacture of new underwater 35mm cameras. The only existing type was far too bulky and underwater cinematography experts Al Giddings and Stan Waterman helped sort out what was possible and shot second unit for the film. There is of course some brutal action, nail-biting fights and violence that pushed the limit of the film's “A” classification. Particularly nasty is the repeated victimisation of Jacqueline Bisset's character, one scene was regularly cut out altogether from TV showings, when she is terrorised by voodoo intruders and the baddies are keen to see her naked, as are the film-makers and especially with her first diving scene is in a wet t-shirt. Despite everything, her character is strong and integral to the story, and Jacqueline Bisset gives one of her best performances. Nick Nolte was the new star to the big screen and ‘THE DEEP’ launched him into starring in future A-list films.

Robert Shaw provides the other strong link like he did in the film ‘JAWS,’ but opts for a very different character from his character Quint (though his character could easily have been a relative). Robert Shaw is excellent, as usual, quietly defining every one of his scenes. I find it astonishing that he did so much diving for this, along with the others. Robert Shaw sadly died of a heart attack the year after ‘THE DEEP’ was released, at the age of 51. While Robert Shaw anchors the film (sorry for the pun), he doesn't dominate it, among a strong cast, especially with Robert Shaw alongside Lou Gosset Jr. who is the single-minded master criminal Henri 'Cloche' Bondurant. This must have been one of the last thrillers where the bad guys are all black actors, and there's no token black good guy, especially in this film.

On top of all that, we cannot forget the wonderful sensual soundtrack by composer John Barry that really completes the atmospheric experience of the film. The original release was sourced by the singer Donna Summer song, “Down Deep Inside” and thankfully a more thorough expanded song is available on the Original Soundtrack Compact Disc release by Intrada.

After various murky incarnations on the home video system like the inferior DVD release, this Blu-ray presentation is easily the clearest presentation yet and it includes a documentary and the deleted scenes that were deleted for its narrow minded US TV debut. These include an expensive discarded prologue, a storm sequence with Robert Shaw and Eli Wallach's characters as young men, played by the actor’s sons.

While it's not a shark-hunt type film scenario, its credentials are authentically “Jaws-era” and more creative than most of the Jaws film successors. ‘THE DEEP’ remains as tough as modern action thrillers, while not as far-fetched or lightning-paced. The trials and tribulations of Jacqueline Bisset's character in this particular film, would normally only be seen in horror films. The lack of technology on display keeps the film fairly timeless, unless of course you know what Nick Nolte looks like now? But ‘THE DEEP’ has the edge of not having its thrills diluted by CGI sea creatures, green-screen or even split-screen. What you see is what actually happened and that is why I really enjoyed this film, despite all the critics that panned it so badly.

Blu-ray Video Quality – IMAGE ENTERTAINMENT swims onto this Blu-ray disc with a pleasing 1080p encoded image, and an equally impressive 2.35:1 aspect ratio framed transfer. The transfer reveals mostly strong details throughout; most impressive are the long-distance Bermuda shots that open the film. They feature strong, clean images of the green land masses and the houses that dot them, surrounded by shimmering blue waters. The primary action takes place underwater, and such scenes don't disappoint. They offer strong colour reproduction, the many shades of clothing; mesh bags, scuba gear, and the many colourful creatures that swim by don't simply fade into blue backgrounds but instead tend to stand out nicely in most every frame, such scenes also offer a good sense of depth and a nice bit of fine detail on the hull of the derelict ship and the sandy ocean floor. Land-based interior shots look good enough; Romer Treece's home features plenty of warm colours and wooden accents and decor that look a bit soft in the background but otherwise help to create an inviting, nicely-rendered locale. The transfer also delivers consistently decent blacks and flesh tones. A fair amount of grain may be seen over the image. Overall, this Blu-ray disc release of ‘THE DEEP’ delivers an impressive, but not quite there transfer of a 1977 film title.

Blu-ray Audio Quality – IMAGE ENTERTAINMENT once again brings you this Blu-ray disc with a fairly good 5.1 Dolby TrueHD 5.1 soundtrack. The presentation manages to deliver suitable content throughout, beginning with a string-heavy opening title score that flows naturally and pleasantly into the listening area with strong, but not overbearing or awkward, and rear-channel support. Listeners will hear the varied instruments placed all across the soundstage. During the first underwater expedition, there's not much of a sense of submersion created by the track, but subsequent returns to the derelict “Goliath” deliver a much stronger sense of actually being submerged with the divers. From here on out, the track offers plenty of fine sound effects that play across the entire soundstage. The creaking metal of the ship; the shifting of its perilous position on an underwater cliff; the constant, deep sound of the water pressure; and various other niceties; create a fine underwater atmosphere that greatly benefits each such sequence that otherwise delivers minimal sound, but for the most part, this soundtrack delivers a suitable listening experience that doesn't disappoint.

Blu-ray Special Features and Extras:

Special Feature: The Making of ‘THE DEEP’ [1977] [480i] [1.33:1] [48:40] This vintage "CBS Special Presentation" (love the old spinning logo!) is a lengthy promotional spot for the film hosted and narrated by Robert Shaw. It contains a mix of plot recapping the number of dives required to make the film, shooting underwater and with real derelict ships, the danger of natural predators to the cast and crew, the performances and professionalism of the cast, filming some of the dangerous stunts, as well as finding out that all the people involved in the film that went under the sea, had never dived before. We also find out that they did a lot of gruelling work under the ocean, especially for Jacqueline Bisset, and felt that she was a real trouper and never ever complained at any time. But one fact we find out is that Jacqueline Bisset was originally afraid to go into the water, but after a long training session, is now a trained diver. The documentary also contains plenty of archival and behind-the-scenes footage and cast and crew interview clips, plus you get lots of still images of behind-the-scenes of the shooting of the film. Robert Shaw talks about how the oceans can be very cruel, where suddenly unexpected storms would happen without warning. Robert Shaw talks about Teddy Tucker, who is the foremost treasure hunter in the world, who we see talking to people just before a dive and was of course involved with the film extensively. Peter Benchley talks about the novel he wrote in connection with his good friend Teddy Tucker and their experiences together seeking out wrecks on the ocean floor around the world. They talk about the long gruelling filming underwater in the freezing cold water with Jacqueline Bisset, who they felt was a true trooper and never complained once, but we find out this actress was originally afraid of going into the water, but after some extensive training and is now a qualified diver. When you see the scene in the film where there is frenzied activity with the sharks, that was actually filmed in the great Barrier Reef in Australia and you see extensive behind-the-scene filming, that looked really scary and they had to do this particular filming over 300 times. But the main part of the filming was in Bermuda in the largest water tank I the world, where they did all the specialised filming that is supposed to be inside the sunken wreck. When the "CBS Special Presentation" was aired in 1977, it was an obvious ploy in an attempt to sell cinema tickets at the time the film was released, and of course comes as no surprise that it comes with a definite promotional tone. Still, we get a lot of good shots from the set, and we learn a reasonable amount about the shoot. Robert Shaw informs us that the time the last frame was exposed; they had dived 9,885 times in four separate oceans. As we get near to the end of this documentary, Robert Shaw informs us that the film took 151 days of very difficult and dangerous rewarding shooting days and says, “It ended just as it began.” Robert Shaw also says, “If the Jamaican pirates don’t get you, then it will be the cold embrace of the sea and that’s no lovers kiss.” The quality of the video quality is very rough, but it is well worth a look. Contributors include Robert Shaw, Jacqueline Bisset, Nick Nolte and Peter Benchley. Director: Carl Workman. Producers: Carl Workman, Peter A. Lake and Peter Guber. Screenplay: Peter A. Lake. Composer: John Barry.

Special Feature: Selected Deleted Scenes from the 3 Hour Special Edition [1997] [1080p] [2.35:1] Way back in 1980, they had a 53 minutes of new footage were added to the film for a special 2-part TV miniseries event. About half that material is found here, broken into six new scenes or extended scenes, which is as follows:

Prologue: The Goliath Sinks [1080p] [2.35:1] [3:09] When the film starts, it begins with a prologue of the munition ship going down in the storm, while a young Adam Coffin is on board. In the morning after, a young Romer Treece finds Adam Coffin is barely alive, covered by a piece of debris.

Romer Treece’s Disposition [1080p] [2.35:1] [3:09] A new scene after David and Gail Berke are in the library, where the two go to see the librarian where the librarian reveals that Romer Treece has been on every Bermuda wreck, that Romer Treece is a very secretive person.

Treece and David Harassed by Cloche’s Goons [1080p] [2.35:1] [2:12] After Romer Treece and David get done diving, Cloche's men, in a speedboat, taunt the two, by circling them. The line heard in the ship "The biggest moray eel I ever saw" is heard in full form here as well.

Pillow Talk [1080p] [2.35:1] [6:22] The conversation between Romer Treece and Gail Berke and has been extended, with Gail Berke asking Romer Treece about his wife, Romer Treece becoming gruff on the subject, and Gail Berke apologising. The next scene with David and Gail in the bedroom has been dramatically extended, with Gail Berke and David having a full conversation about their trip, Gail confessing that she likes Romer Treece, and finally, the two admitting their love for each other, and the scene ends with a new, longer take of the two kissing.

Extended Conversation Between Cloche and Treece [1080p] [2.35:1] [3:22] The next scene at the sporting event features longer conversation between Romer Treece and Cloche. It's revealed that Cloche's men killed Romer Treece's wife over a miscommunicated ship sinking.

Treece’s Past Revealed [1080p] [2.35:1] [5:19] Gail Berke sends the ampules up alone. This time, she takes them up herself, and while she's letting Kevin refill her oxygen tank, there is a small conversation about Romer Treece and how his wife was killed.

The original UK cinema version was cut for an “A” to a “PG” certificate by the BBFC [British Board of Film Classification] with edits to the body search of Gail Berke by Cloche's men, removal of shots of Gail Berke's bloody stomach during the voodoo scene, and heavy cuts to punches and groin kicks in the fight between Kevin and Slake. Later releases were upgraded to a 15 certificate and uncut.

Blu-ray Previews: Here you have a selection of six separate Blu-ray trailers and they are as follows: ‘Close Encounters Of The Third Kind’ [The Ultimate Edition] [1980] [1080p [2.35:1] [1:34]; ‘Dr. Strangelove Or: How I Learned To Stop Worrying and Love The Bomb’ [2004] [1080p] [1.77:1] [3:23]; ‘Secret Window’ [2007] [1080p] [1.78:1] [2:12]; ‘The Dark Crystal’ [1982] [1080p] [1.78:1] [1:31]; ‘The DaVinci Code’ [2009] [1080p] [2.40:1] [1:06] and ‘Rocky Balbao’ [2006] [1080p] [1.76:1] [2:16]. All the trailers are in 5.1 Dolby TrueHD Master Audio Surround.

Special Feature: BD-Live: To view the contents via your Blu-ray player, it has to be connected to the internet; otherwise it is not BD-LIVE capable. For possible solutions to resolve this problem, please consult your Blu-ray player manual.

Finally, ‘THE DEEP’ delivers a good, but not a very strong story. It also features decent if not sometimes clumsy pacing, solid but not memorable acting, and just enough mystery and danger to keep things interesting. "Average" I suppose describes ‘THE DEEP’ in a nutshell, it's very existence defined by a collection of mediocre-to-decent pieces that come together for a sometimes fun time experience, and almost always intriguing, and a worthwhile film experience. In the Hollywood of 1977, and particularly in light of today's mixed bag of offerings, "average" isn't bad at all, and neither is ‘THE DEEP.’ IMAGE ENTERTAINMENT Blu-ray release of ‘THE DEEP,’ much like the film, never highly impresses, nor does it disappoint. Featuring a fairly good 1080p transfer, an adequate soundtrack that delivers all that is expected of it in most every area, but failing to include all that much in the way of bonus materials, despite some other critics giving it the thumbs down, I still feel ‘THE DEEP’ is well worth it, and its fans should feel confident in their decision to purchase. Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
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